From "Acoustic Blues Guitar Essentials Book/CD"naevbac.fileelectro.pw: Click Here to see book on Amazon: A7 Rhythm - naevbac.fileelectro.pw: Amazing Grace- John naevbac.fileelectro.pw: Classical Rock- All The Things You Are naevbac.fileelectro.pw Autumn Leaves naevbac.fileelectro.pw Jazz Blues Bassline in naevbac.fileelectro.pw The second solo is more advanced and takes more harmonic liberties. There is a lot of meat in these solos and I encourage you to work through it all at your own pace. Remember to click on the included lesson mp3 to hear the chords and melody in action. I hope you enjoy working on my arrangement of “Autumn Leaves.”. AUTUMN LEAVES SOLO TAB by Eric Clapton @ naevbac.fileelectro.pw Autumn Leaves, is a much-recorded popular song. Originally it was a French song, with music by Hungarian-French composer Joseph Kosma and lyrics by poet Jacques Prévert. Here is an excellent arrangement for classical guitar solo with tablature and downloadable mp3 for audio help, 4 . Aug 09, · This is my fingerstyle guitar arrangement of this song became a pop and jazz standard. The tab shows you the basic chords-melody voicings I used: in the second part of the video I improvised on the basic chord progression and I thank my supporter Dennis Priester and his teacher Loek Van Der Knaap for the trascription/5(11).
Autumn Leaves is one of the most popular jazz standards on record and is a must-know tune for any jazz guitarist. Because of this, having a strong hold on the melody and improvising is essential learning.
In this lesson, you will learn to play the melody of Autumn Leaves, combined with chords to fill up the gaps. Next, you will learn a guitar solo over the chords of Autumn Leaves, and the scales needed to play that solo.
Learning the melody is an important part of studying any jazz standard. Even if you are excited to dive into the solo, take the time to learn the melody, it builds a strong foundation of the form and tune in your ears and fingers that will make soloing easier over these changes. Have fun learning this Autumn Leaves melody and solo. Study it over the backing track, incorporate licks and ideas from the solo into your own playing, and dig into one of the most famous jazz tunes in the repertoire.
Download Your Free eBook. Jazz guitar scales are an important tool for improvisation and essential learning for every jazz guitar player.
In this section, we will have a look at the basic guitar scales needed to solo over Autumn Leaves. Another scale that you can use over the entire chord changes of Autumn Leaves is the E minor blues scale.
The minor blues scale is almost the same as the minor pentatonic scale but has one more note, called a blue note 4 or b5. The most common scale of choice to play over dominant 7 chords that go to a minor chord is the harmonic minor scale.
Here is the melody arrangement, where I combine the melody with chords. In this solo, I combine scales with arpeggios.
To study this solo, start by learning in groups of 4 bars. Once you get that working, play the entire solo. Voice leading is the smooth movement of notes from one chord to the next.
To learn how to make melody arrangements and improvise guitar solos like the one above, check out our Easy Guide to Jazz Guitar series. This is a very well put together lesson at just the right level for me.
Starting with the chords and melody and then introducing the solo and scales makes it easy to follow.
I regret abandoning to the rubbish bin, all the old original London U. They would have been something I could share with you as well as them likely to have been worth a packet of money today!
The pages used were half A4 in size and I used to wonder at how those in the band could see them to read them when actually playing.
Oh me Oh my! I was young and ignorant of music then and had no idea what I was denying myself for the future! It was damaged beyond economical repair and today would have been worth a great deal as a collectors item if I still had it.
I still have the one colour photo of myself and my duo singing partner Chris Bird showing me holding my Hofner Committee and Chris holding the Hofner Beatle guitar with closely matching colour and adornments which I bought in Sydney Australia, and taught her to strum along to some of our songs with. Great lesson. Hats off and cheers to you for giving up this project to work on!! I am a fan of your wonderful lessons!! Although I am not a big fan of modes and scales I understand how it is important, thanks much!
Wow, what a delightful rendition. Truly inspiring playing, a joy to listen to. Thanks for all the highly valued free stuff guys, especially the thorough studies like autumn leaves. Thank you for the transcription, I have been seeing this tune mostly in Bb e. Gm leading into the starting Cm and a few times in G as here. Which is the original version?
Also, how do I download the backing track as an audio file, i. Thank you so much! Thanks for the lesson! Yeah I have the same question as well. The first two notes in 63rd bar is a semitone down from the E harmonic scale. Thank you for your material. You are great talents. I like well-known and audience popular jazz standards with your different kinds of improvisations and of cours the improvisations can be used partly for most other songs. Yes, please keep doing this. I even use your excellent material for my piano and vibraphone.
Best regards. This could help improving my jazz guitar skills? Taking any solos and playing any conping are not impossible for me so far.
Keeping the time with chords arranged by our instructor is the only one that I can play. I have just downloaded your free e-book and subsequently listened to your rendition of Autumn Leaves. I loved your performance — you have a lovely touch. I find both your website and your e-book to be exemplary and I find your generosity in sharing your knowledge and experience most humbling.
Much respect and thanks! The educational format is outstanding. Often played this without thinking of the notes I was playing nor the possibilities by using variations on arpeggios within chords such as leaving out the 6th and the 2nd. I will go back and work on this again incorporating your ideas.
I wish I was younger again and you were my teacher. Great job, Fantastic analysis and especially the communication format broken into these segments. This is a great lesson and I really appreciate it and the rest of the site content. Now if I just had a little more time…L.
I was wondering if you could email me an mp3 version of the backing track so I can use it in my audition.
Many thanks, Maddy. I love this and thank for the lesson… but measure 14 of the melody is missing the A high e, fret 5. Please log in again. The login page will open in a new tab. After logging in you can close it and return to this page. Facebook Twitter Subscribe. Related Lessons.
Stella By Starlight. Unit 7 Wes Montgomery. How Insensitive.
All Blues — Melody, Chords, and Improvisation. Giant Steps. Blue Bossa. Matt says:. Dirk Laukens says:. Cliff says:. Poppa Madison says:. Charlie Meyer says:. Rob says:.
Randall says:. Aidan says:. Jerry says:. Stuart says:. Leo says:. Henning Kock says:.
Francesco says:. Ric says:. Peter Davis says:. Rudy qualls says:. Bob Newell says:. Dreyfus Froe says:. Maddy says:. Ian Kibugi says:. Ingolf Reiche says:.